The mix of different lines shows that nature is beautiful in term of having different features nature is unique in multiple ways. The vertical line here stands out against a mix of angular and diagonal line shown in the cliffs to highlight the characteristics of nature. The example of perfect composure establishes an essence of intellectuality, which refers back to the idea of self-reflection and thought. The only implied vertical line in the piece is shown by the figure’s posture. The use of line in the painting is also worth noting. Although the contrast in the painting is generally based around more solemn themes, the difference between light and dark creates a very organic feel where nature is considered authentic, opposite to the materialistic or artificial civilization. The shades of dark green and brown contribute to the mysterious and heavy emotions of self-reflection, while the light blue-pink fog in the background produces a sense of nothingness or isolation. The eye is drawn to the figure and the cliff below it, since they are painted darker than their surrounding. In Friedrich’s piece, there is an apparent contrast shown through the combination of light and dark colors. This painting is effective for multiple reasons. The Wanderer Above the Sea of Fog by Caspar David Friedrich incorporates multiple design elements to evoke the feelings of self-reflection and the beauty of nature. The differences keep the viewer’s eye on the move and provides incentive for the attention the painting truly deserves. The asymmetrical aspect of the painting is shown through the different scenery of mountains, cliffs and fog. The painting also incorporates asymmetry on top of symmetry to include more animation, since constant symmetry may produce monotonous results. For example, the man in the painting reflect two arms and two legs. In Friedrich’s work, symmetry is shown to help unify the work through the repetition of two halves of the wanderer. The structure of this painting helps create unity or visual equilibrium. The painting also uses structure to create an organized whole. Instead, the dark shade of the cliff below the wanderer helps create depth. If the cliff below the wanderer is light and the scenery where he faces is dark, then the painting would look flat. The dark hue below the wanderer defines the height of the painting, and establishes the space below and in front of the subject. The atmosphere that surrounds the wanderer in the artwork plays an important role in Friedrich’s painting. Space is also incorporated in the painting to create an extension of depth and distance. The fog is blurry and looks as if it is swirling around the air through the soft curve/slant of the paint the motion provides a sense of liveliness and living on the edge – pun intended. From the viewer’s eye, movement can be found through this particular rhythm and this makes the painting interesting because movement plays an important role in visual expression. The repetition with this uniformity creates a rhythm from the white, blue and grey layered brushstrokes on the painting. The different composition comes together to form a unity through repetition. In Friedrich’s painting, the background captures a flow through the connection between the fog and the cliffs/mountains. The Wanderer Above the Sea of Fog by Caspar David Friedrich integrates design elements such as space, structure and rhythm to capture the mysterious yet mesmerizing effect of the painting.
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